The Custom Framing Process, Step by Step (Part 2 of 2)​

Custom framing process for designers — Booth Framing matting and frame selection

Here’s a closer look at the custom framing process for designers, from initial placement through final installation.

If you read our first post about the details we need to best support you in art selection, read on — this is Part 2 of 2. If not, see Part 1 here.

 

So how does it all come together?

Where to place the art? With the clear plans you provided, we create a redline set of plans for possible art placements based on the details of the project. These are for your review. You can add, remove, or change anything, and we’ll revise accordingly until we have a working set.

Concept images. In concert with the plans, we’ll send you concept images that provide the basis for a full image search. Not sure what you want yet? You can go to our searchable website, register, and create a ‘collection’ that we can share. boothframing.com/art-catalog/

Again, you review the concept images to give us direction, and then we send a bank of images for your review and approval/revision. We’ll make recommendations about where the images might be placed, and after you and your client approve, we’ll pull the placement location and image details together to determine size and orientation for each piece. If you’d like us to be part of the presentation to the client, we can accommodate your request.

Frames. Frame selection can center on several factors — furniture finishes, floor finishes, lighting finishes. You determine what suits the project best. We begin with digital images of possible frames for review and then can send physical samples for final selections. Canvas can be framed with a floater frame or a standard frame.

Matting. This is the fun part! Mats can be simple bevel-cut single or double mats, or we can get ‘fancy’ and introduce reverse bevels, v-grooves, triple mats, faux shadow box, rounded corners — more options than you can imagine. And more colors and styles, too. What’s great is that these need not be expensive, so you can improve your look without adding heavily to your cost.

Fine art calls for conservation-type mats. There are many to choose from in both color and style, and many ways to combine them.

Glazing. Both glass and acrylic come in a standard framing grade and have variations that include conservation grade, UV control, non-glare, and museum grade.

Glass is typically less expensive than acrylic. It’s heavier than acrylic and more likely to shatter. However, it doesn’t have the static charge that acrylic does, and it’s more scratch resistant. It’s easily cleaned.

Acrylic is lightweight, durable, and shatter-resistant, making it ideal for large frames and high-traffic areas. It’s often clearer than glass but scratches more easily and requires specialized, non-abrasive cleaners.

Embellishment. Want some of your images to POP! You might consider embellishment. We have several tools that work with paper or canvas — antiquing, leafing, color highlights, gel brush in different modes. They create a unique appearance and enhance the beauty of the art.

Everything’s ready to go! We arrange for shipping and delivery, providing details of packing, when the shipment is expected, updates, and always include plans for the installer. We’re in touch with the installer until completion and you’re satisfied.

Consider us your trusted art partner! Booth Framing is always ready to assist you. We can educate you about the specifics of framing options, support changes in the construction timeline when shipping and installation may be delayed, and make sure everything comes together for you so you can devote your time and energy to the project’s full scope. Let us know how we can lend a hand!

Want the short version to keep on hand? Check out our free art selection checklist-the six things we ask for  all in one place.